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Comment by Tony Adamo on November 14, 2016 at 6:43am

In 2016, where an always-connected generation screams for attention through new, often contrived definitions of “cool” and surprisingly predictable proclamations of uniqueness, singer and spoken word artist Tony Adamo arrives seemingly from nowhere as a true anachronism: a performer who is authentically “cool” in a timeless, almost reckless way that almost no popular artist today can match.

Adamo harkens back to a day that, for most modern listeners, never was: a time in the 50s and 60s when a small but influential cast of artists in jazz, poetry and movies oozed a dangerous, irresistible force that men admired and women wanted. The Rat Pack sort of had it, but for each Sinatra or Martin, there were hundreds of underground artists who lived more dangerously and closer to their creative edge. With jazz as the centerpiece, Adamo effortlessly visits this universe (“Just ride your thought on that groove…are you with me?”)  where performers are “cats” that their fans “dig” or even “double dig”; where hipster artists “swing” with the beat, and music is a near religious experience for those immersed naturally or through chemical enhancements.

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